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Customers

Some satisfied Kenton customers. Don't take our word for it, here is a showcase of some happy Kenton users and their views on our products.



The Pro Solo has made my life much easier. I have invested a small fortune in vintage keyboards and I use a Pro Solo on just about every one of them. The Pro Solo lets me do things on some of my synths that otherwise would be very difficult to achieve, like pitchbend on my Concertmate MG-1 for example; before the Pro Solo this would have been impossible. Now all my synths can be controlled by my sequencer, which means I don't have to print the sound to Pro Tools. Out of the synth to my console, to my DAT machine! isn't life just great!!!

Harry 'Choo Choo' Romero, DJ/Producer


Having been a long-time user of Kenton products, my particular favourites are the Control Freaks. I've got 2 units, one with faders and one with knobs. When using these in conjunction with a midi sequencer and a number of 'virtual' synths as I do, it gives me the best of both worlds.

The fader version I use for controlling various midi track information i.e. levels etc., and the knobs are ideal for quick editing of, in particular, old analogue synth-modelling. I'm currently using a lot of Creamware soft synths
- the Minimax which is a very true model of the original Minimoog in conjunction with the Control Freak is really as good as it gets - instant access to the front panel of a Minimoog, with total recall.

Anyone who is a serious programmer of virtual synths really needs to have the Control Freak at his fingertips.

Geoff Downes of Asia - February, 2003

[Picture Of Spooky]
I'm really pleased
with my ARP2600...
the MIDI's given
it new life

Spooky (Charlie May)


I bought a Kenton kit & I loved it so much, I had my kidneys MIDI-ed!

Ashley Slater, Freakpower


I've got a Pro-2...
it's fantastic

Together with your Mk1 Odyssey
socket retro, it really does the biz

Adrian Utley,
Producer, Portishead
[Picture Of Adrian Utley]


One small step for Kenton... one giant leap for George!

George Holt of Erasure

[Picture Of Phil Oakey]

Kenton products
are fantastic!


David Beevers of
The Human League


Picture shows Phil Oakey in the Human League studios
wi th their two Kenton Pro-2's circled.


[Picture Of Colin Angus]

We've got about a dozen units that wouldn't be working without Kenton, so we think you're great!

Colin Angus of The Shamen


I love my 303 even more now that
Kenton have fitted sockets to it!

Richard H. Kirk (Cabaret Voltaire)
[Picture Of Richard H. Kirk]


I had a dream... & Kenton made it come true!

Charlie Hall (ex Drum Club)

[ Picture Of Electrasy]

Kenton really are the best,
they've saved my life

Electrasy



The Kenton Pro-4 is practically flawless...
anyone who is serious about their use of vintage analogue gear and doesn't
own a Kenton interface, really ought to be asking themselves "Why?"

Paul Ward

[Picture Of Patrick Wilson]
My many old analogue synths are
bleeping away merrily once more.

Thanks to Kenton for bringing
them into the 90's

Patrick Wilson


Thank God for Kenton Electronics

Icelandic band Gus Gus

[Picture Of Sunao Inami]
Why doesn't everyone use Kenton?
I have a Pro-4, Pro-KADI and
MIDI Kits for my TR-808, PS-3200,
PPG Wave and CS-80

Sunao Inami
Cave Studio, Japan

We still get enquiries about the famous performance glove Kenton developed for stage use by Marillion in 1989.
It may be of interest that Kenton are still involved with special one-off projects and welcome enquiries,
whatever your MIDI needs.

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